Christmas Break Over – New Podcast

We’ve been away for the holidays so apologies for that and we’re still not fully back 100% but in the interest of content providing I thought I’d upload a semi-mix of the things we’ve been listening to over the holidays while sipping on brandy and choking on mince pies. No dialogue from me or James on this just strictly hitz. There’s everything from ethereal Hip-Hoppy Jazz from BADBADNOTGOOD to UK Garage from Lamont Dex and MC Plain English so enjoy.

cropped-buk.jpg

New Music: Jam Baxter ‘Teeth Marks’ (Prod. Chemo)

 

13735522_1372858819407252_6093491440409273472_o

 

Jam Baxter has released the second track to his double-a sided single ‘Teeth Marks’ in the run up to his new album ‘Mansion 38’ coming out soon. The track itself documents his time spent recording in Vietnam and his drug addled mindset is present throughout the track’s lyrical content. The beat (produced by Chemo) couples this perfectly with pitched down vocal wailing making up most of the melody, getting across further this sense Baxter is getting across that he is in a frazzled state but in the most creative way. The release is available on 7″ vinyl and digitally via High Focus Records (who else). Order it here.

New Music – Rye Shabby ‘Black is the New Black ft. Verb T’

 

13935169_958143744308245_7600869169432890027_n

 

In the Balance Records just dropped a brand new single coming from Indigo Frequency’s Rye Shabby. The Ipswich based rapper has collaborated with Verb T of The Four Owls to produce a sinister introduction to new material. It is the first track revealed from a forthcoming EP ‘Arthur Lager’ being released on In The Balance Records soon with visuals from Monsta. The track itself has nice Jazzy samples but lyrical content seems darker than what we’ve heard before from Shabby like on his previous In The balance single ‘Face the World’. Production comes from Verb T.

 

The Villainy Strikes Back? – Doom and Madlib Return On ‘Avalanche’

And so the villainous ones return. The dastardly duo behind a seminal Hip-Hop album that has been described as having ‘everything’ is back. Madvillainy culprits Doom and Madlib announced the release of an 8′ tall figure which includes a 7″ vinyl of the new track ‘Avalanche’ – a menacing two and a half minute blueprint for their next act of villainy perhaps?  The package is a product of the Madlib Invazion label and is available on iTunes and Spotify as well as the physical release. Sit tight for an album? *

madvillain-figure-avalanche

 

 

Buy the figure & single here

 

 

 

*I doubt it

Lee Scott – ‘Nice Swan’ Album Review

 

leescott

 

Lee Scott comes through with a follow up to last year’s High Focus release of ‘Butterfly’ with a notably cheerier, at least on the surface; record this time coming out on Scott’s own Blah Records. Going into this album I expected to hear Lee Scott’s typical story telling rapping style to be continued with the style of instrumentals being thrown back into darker territory as heard with his previous Blah Records releases such as 2014s Tin Foil Fronts. Generally though we get quite a chipper outlook as far as beats are concerned with Boom Bappy tongue in cheek style beats to go with the rhymes being rapped over them as shown in the bouncey opener track ‘Bootl3gliving’. ‘Nice Swan’ is riddled with references to his hometown of Liverpool with Madlib style vocal skits between tracks making the whole thing sounds like one big bleak infomercial selling timeshares in the Merseyside. More somber moments in the record come from some of Lee Scott’s self produced tracks ever present in the track ‘JAMAIS VU’ which shows signs of some internal conflict over a yearning synth based beat. More tender moments occur earlier in the album on the Sam Zircon produced ‘KAPUT’ which stands out as a highlight yet again through Lee Scott’s self criticism being laid bare over a bass line so lamenting it almost sounds like a male vocal sample. Sam Zircon is the only producer on the album that appears more than once other than Scott himself, seemingly to be the gatekeeper of bleak instrumentals for bleak subject matter that Lee is all too willing to provide. Ultimately this record leads you into the false pretense through it’s early beats that it will be plain sailing over some nice jazzy beats however deeper into the album overwhelmingly sad subject matter takes over and hits the soul unexpectedly with themes varying from hating oneself, everyone else and the town where you’re from; all this while commenting on the dreariness of growing up in a place like Liverpool while also experiencing pride from coming from there. The only thing keeping this record from being utterly depressing is Lee Scott’s outstanding ability to laugh at himself and everyone else while he does it. While he might touch upon self-reflection in some of these tracks it isn’t long before he starts taking the piss once more in ‘Same Song’. Overall this is the most complete Lee Scott album with everything sounding more developed than on previous efforts.

 

8/10

9th December – New Podcast

 

A good mix of old and new tracks this week. We’ve included new music from Jam Baxter as we get to see what he’s been rustling up during his time in Vietnam. We’ve also got Grime coming from AJ Tracey and there are some stone cold classics in there too. Keep it locked for new podcasts every Friday.

 

This Week’s Podcast

The first instalment of Buktown back on your webwaves for good. Every Friday we’ll be shining the spotlight on the best of new and old urban music. This week we get some remixed Chinese Grime from Swimful, new UK Hip-Hop from Jam Baxter, Lee Scott and Trellion and much much more. Keep it locked for new shows every week!

 

Welcome To Buktown

Buktown, not Bucktown – pronounced like how people from the north say ‘book’ is a new music blog that includes a weekly podcast uploaded every Friday as well as written content including album reviews, interviews, think-pieces and everything in between. The aim of this blog is to share with you the music that we love while also putting a spotlight on newer artist that perhaps you may not have heard of. Hip-Hop, Grime, Bass, anything we hear that we think is the cutting edge is the kind of thing you can expect to hear on the podcast, and while it is good to look at the underground, you might hear a few classics or new hits that we’re hyped about talking about. We thank you for taking the time to get to know us and pledge to you new content every week.